Monthly Archive for September, 2011

Beyond the Basics: ‘Unclothed’ entry deadline this Friday

Beyond the basics of a “Call for Submission” statement and providing the times and places and participants, I wanted to reach out to artists with the essence of what our “Unclothed: Exposing the Art Nude — A Spirit & Place Event, was all about, and why we are so passionate about the program.  I want to not just explain what it is, but why is it important.

There are two important parts of this event — the StutzArtSpace gallery show featuring works of art nude from regional artists of all media and styles, and also a panel discussion open to the public to discuss the issues facing artists and businesses when promoting work containing artistic expression of the human form, provocative or otherwise.  For this entry, however, I wish to focus on the gallery events and explain why your participation is so valuable to our program and also to the art community as a whole.

Our gallery event is intended to showcase work from artists who are from areas where there is commonly hesitation is displaying, or resistance in their ability to show, work that is seen as “too provocative”, or runs counter to “community standards”.  We are reaching out to provide and promote the art nude as a respected and honored subject in fine art, and to bring the voice and passion of these artists, or perhaps you, to the public forum.

As a figurative artist myself, I understand the challenges that I and others like me face doing paintings or photography of the human figure.  My portfolio has a certain liability attached to it when patrons or organizations are making decisions about my participation in their fairs or projects, or the risks of being associated with an artist that is not conservative in their entire body of work.  I have been declined opportunities to show my work or use certain images to promote shows or my career.  I have, many times, found a lack of support by other artists and arts organizations in defending my right to expression or protecting my ability to provide my work on equal terms with other artists to the public sphere.  These experiences in my own life as a working artist, and the differences in this market versus other more liberal or art-strong locations, have fueled my passion to give voice and place to those who also have these same or similar ordeals in their art lives.

The purpose of this gallery show is multifaceted.  We want to provide a venue that highlights the best of figurative art nude work in sculpture, paintings, photography, mixed-media, multimedia, and performance.  We want to advertise and promote this to everyone from the avid supporters of this subject in art, to the curious, to the doubtful, and even to the critics.  We want those that collect fine art nude works to know this is THE PLACE in Indianapolis where they might see and purchase work that appeals to them, or at the very least provide encouragement and networking with the artists who create it.

One of the most important missions of this show, and all of the associated elements of this Spirit & Place event, is education and promoting the open discussion on the value of art nude work, and showing that it deserves “equal shelf space” with the still life, the landscape, and all other subject matter.  It is a call to rally and show support, but also to ask our patrons and our neighbors to accept that our subject of choice is a matter of taste like most any other subject, but not to be feared or reviled.  We want to present the work in a positive and sophisticated way, rather than a confrontational approach.

Furthermore, we are also reaching out to other galleries in November to participate with us and show at least one art nude work, and providing them work and contacts if they do not have internally represented artists to fill the request.  These cross-promotional partnerships will be provided through our entries for the show, and part of our overall promotion of the several events that are part of this.

So, I am personally calling on each of you in the arts to either make a new work on the theme, or provide one you have already made, and put your best foot forward, and submit and participate with us.  We want men and women and all age groups and perspectives and backgrounds to submit work for selection, and want the showing to be broad across demographics and geographies.  We want your stories of why you have created beautiful nudes, and want to hear your experiences and of your support as an artist — both good and bad — to include in our presentation.  We want your voice and your artistic heart, and to show and to sell your work, and to celebrate the spirit that makes us create and express ourselves, and doing so regardless of market acceptance or current community standards and tastes.

I sincerely hope that each of you will take the time to read and submit work, and I look forward to your work being part of this presentation.

 

Be well,

Travis S. Little

Curator, “Unclothed: Exposing the Art Nude”

IDADA Artist Representative*

 

*This is not an IDADA sponsored event.

 

Important Information:

Call For Entries

http://www.stutzartists.com/unclothedCFE.html

Entry Deadline: Friday, September 23, 2011 by 5pm EST

 

“Unclothed: Exposing the Art Nude”

StutzArtSpace, Indianapolis, IN

November 4th through 23rd

Open Monday-Friday, 11a-2p

 

Special Art Preview Show

Friday, November 4th (IDADA First Friday Event), 5:30p-9p

StutzArtSpace, Indianapolis, IN

Includes special presentations and performances

 

Spirit & Place Event and Panel Discussion and Open Gallery

Stutz Artists Association, presented in partnerships with KLF Legal and NUVO Newsweekly

Stutz Business Center

Friday, November 11th, 6p-9:30p

Panel Discussion hosted by Travis DiNicola from 7-8:30

An artist’s perspective on September 11, 2001

On the morning of September 11, 2001, I was just getting to my studio space in the senior painting room at Herron School of Art in Indianapolis, Indiana, when I received a phone call from my husband. He said he had just had a call from our daughter, Katie, who lived and worked in Manhattan.

She said that a plane had just hit one of the Twin Towers of the World Trade Center and that she was okay. Katie’s office was 14 blocks from the WTC.

At that point, we had heard nothing about this incident. I called her immediately and her words to me were, “Mom, Mom, go home. Turn on the TV. Mom, this is big. Mom, people are running through the streets.”

There was a TV in someone’s studio so we all gathered around and were unable to leave the spot. The teacher came by and told us to turn off the TV and get back to work. (I always wondered if she realized what she did that morning–but who could have known….). Students started leaving and I headed to the bookstore downstairs where there was another TV. By now, the second plane had hit. It was beginning to dawn on me that this was an attack on our wonderful city and our people and that my daughter was so close to this tragedy. (By this time, she had left her office and run all the way to her apartment in midtown from lower Manhattan).

A numbness had settled in and upon returning to my studio, I prepared to leave for home. I spotted a gessoed piece of paper tacked to the wall and in about 10 minutes I put down all my emotions of what I had witnessed on TV and on the phone with Katie and made the above painting. We were among the lucky parents who heard from their child before we heard the news ourselves and she was okay. I have thought so much about those parents and spouses who heard the news and couldn’t get through, who had someone trapped in the building, or who never heard at all.

– Julia Zollman Wickes

Artist Julia Zollman Wickes is a painter of imaginative and expressive portraits, landscapes, and illustrations. Inspired by the narrative of daily life, Julia Zollman Wickes searches for subjects wherever she goes – all over the world. She lives, paints and teaches art classes in downtown Indianapolis, Indiana. For more on Julia, please visit her website at www.juliawickes.com and her blog at http://jzwickes.blogspot.com.